Showing posts with label Oscar Academy Award. Show all posts
Showing posts with label Oscar Academy Award. Show all posts

Pakistani journalist and documentarian Sharmeen Obaid-Chinoy’s latest venture Saving Face has won an Oscar award under the category ‘Best Documentary, Short Subject’.


In her acceptance speech, Chinoy dedicated the award to “all the heroes working on the ground in Pakistan” including British Pakistani plastic surgeon Dr Mohammad Jawad, main subjects of the documentary and the women of Pakistan.


“All the women in Pakistan working for change, don’t give up on your dreams, this is for you,” she said.


Dedicating the award to main subjects Rukhsana and Zakia, Obaid-Chinoy said that their “resilience and bravery in the face of such adversary is admirable”.


Co-director Daniel Junge said he had the idea for the film after hearing about Jawad, and asked Chinoy to work with him. He has been previously nominated for an both an Oscar and an Emmy.


Prime Minister Yousaf Raza Gilani has also announced a civilian award for Sharmeen Obaid-Chinoy.


A proud Saba Obaid addressed the media later in the day, stating that the film will bring a positive change in the country and in policy making. The director’s mother also hoped that this will help bring an end to crimes against women in Pakistan.


“We did talk to her… she wanted to know how it was. We said we can’t believe it. Nobody in the family had slept all night,” said Saba Obaid. She said Sharmeen will speak at Asia Society in New York and then at a TED Talk in Los Angeles and will return home in 8 to 10 days.


Saba Obaid said that she had always encouraged her daughters to become what they want. “Sharmeen went into filmmaking… an unusual line. She went into this and got respect,” she said. The director’s mother also emphasised that it was important encourage girls to receive education and go forward.


Asad Farouqi, the cameraman for Saving Face, was all praise for Obaid-Chinoy as well. He said that it was a big achievement that learning and working in Pakistan she had managed to make it to the Oscar Awards.


“Our programming is focused on showing a positive image of Pakistan,” said Farouqi. He said the real purpose of the documentary was to create awareness and that it was commendable that this had brought Pakistanis together and had them reacting in a positive manner.


Saba Obaid later read a message from Sharmeen:


I am deeply humbled and blown away by the outpour… and the well wishes I have received. It is an indescribable feeling and a dream come true.


This is for all the budding filmmakers who think that their work will not be appreciated. If I can do it so can you.


Today Pakistan was in the news for all the right reasons and I am thrilled that we are now recognised as artists and storytellers.


Zakia, Rukhsana, this one is for you.


“To win … and with such a subject – it’s such an honour,” he said.


The documentary Saving Face chronicles the work of Dr Jawad, who performed reconstructive surgery on survivors of acid attacks in Pakistan.


The documentary, which is filmed across Islamabad, Rawalpindi and the small towns of Punjab, was released in the US in November. It is due to release in the UK in March 2012, following which it will be released in Pakistan.


“The women who decided to be a part of the documentary did so because they wanted to make their voices heard and wanted to bring attention to this form of assault,” Chinoy said in an interview conducted before she won the Oscar.


“The main reason that they are in Saving Face is to make their stories heard and have an impact.” Many victims are women attacked by their husbands, and others assaulted for turning down a proposal of marriage. One girl in the documentary describes how she was burned after rejecting the advances of her teacher. She was 13 at the time.


Another woman featured in the film is 25-year-old Rukhsana, whose husband threw acid on her and her sister-in-law doused her in gasoline before her mother-in-law lit a match and set her on fire.


Chinoy said she hopes the cases in her film will resonate for others in Pakistan.


“It is a story of hope with a powerful message for the Pakistani audience. I felt this would be a great way to show how Pakistanis can help other Pakistanis overcome their problems,” she said.


Chinoy’s films have won international acclaim. Her 2010 documentary, Pakistan’s Taliban Generation, won an International Emmy Award.


At the ceremony, Obaid-Chinoy chose to wear female designers, from her clothes and her jewellery.


“I am wearing Bunto Kazmi for the ceremony and will be wearing Sana Safinaz and Saniya Maskatiya for Oscar-related events. My jewellery will be done by Kiran Aman of Kiran Fine Jewellery and Sherezad Rahimtoola of Labels. I am really excited to showcase local Pakistani talent, and that too all women,” revealed Chinoy.


President Zardari felicitates Obaid-Chinoy


President Asif Ali Zardari on Monday felicitated filmmaker Sharmeen Obaid-Chinoy on winning an Oscar award for Pakistan on her documentary Saving Face.


The president, in a message, appreciated Obaid-Chinoy for highlighting a sensitive topic of acid attacks on women with utmost sensibility and creativity.


He said the country’s artists had all the potential to thrive and prove their skills in the field of arts and culture.


The president lauded the filmmaker for bringing laurels to the country by excelling in film-making and sending a message to the world about Pakistan’s softer image.



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By Sadia Ashraf

Sharmeen Obaid-Chinoy’s Oscar Academy Award win for Pakistan last Sunday, a first for the country, is a bittersweet victory. While the country rejoices in the worldwide recognition of an Oscar for Saving Face as a Documentary Short, the topic of the film — women who are the victims of acid burning — highlights a dark problem in the struggle for female emancipation in Pakistan.

Fitting then, that Obaid-Chinoy dedicated her Oscar to that effort in her acceptance speech: “All the women in Pakistan working for change, don’t give up on your dreams, this one is for you.”

On one hand, while Pakistan produces educated, enlightened and talented females like Obaid-Chinoy, it also bears witness to victims of acid throwing, like 25-year-old Rukhsana, who is featured in the documentary. Two days before the Academy Awards, I interviewed Obaid-Chinoy, the film’s director Daniel Junge and Dr. Mohammad Jawad, whose work is featured in the film, at a pre-Oscar celebration hosted by Pakistan’s Los Angeles Consular General, Riffat Masood. Our conversation revealed the complexity of pessimism and hope in Pakistan.

“I have always felt that if you are educated and empowered you can become the voice for those that are marginalized and disenfranchised,” said Obaid-Chinoy. The variations that can produce such juxtaposed lives — in a developing country like Pakistan—are the stratum of education, social milieu and background.

Obaid-Chinoy said that despite the problems women in Pakistan face, she felt optimistic. “We have a strong feminine presence: female lawyers and legislators fighting on behalf of these women, who hear the testimonies, write the bills and get them passed in parliament. This shows no matter where we come from in Pakistan, there are people working to make it a more tolerant society,” she said.

In 2010, Junge heard British Pakistani plastic surgeon, Dr. Jawad talking to BBC Radio about surgery on acid victims. When Junge went to Pakistan to catalogue the doctor’s story, the trip became the germination of collaboration between him and Obaid-Chinoy. Saving Face documents the reconstructive work of the Dr. Jawad on some of his patients who are victims of acid attacks in Pakistan. It also focuses on the stories of Rukhsana and Zakia and their efforts to overcome the legal, social and psychological repercussions of that violence.

Obaid-Chinoy also won an Emmy award for her documentary, Taliban Generation (2010) and is the first non-American to win the prestigious Livingston Award for Young Journalists. She said that her “desire to help others” has guided her trajectory as a Pakistani filmmaker, adding that “wherever I have made films around the world, the topics I have chosen are all about giving a voice to the voiceless.”

As Obaid-Chinoy stepped off the Oscar stage after accepting her Oscar, humanitarians and actors Angelina Jolie and Brad Pitt congratulated her and got a copy of Saving Face. Obaid-Chinoy told the New York Times, “It reinforces the fact you can be anyone, come from anywhere and as long as you do quality work, it gets rewarded.”

Pakistan is Addressing Its Problems

At a Saving Face film screening in Pomona College in Pomona, California one day after the Oscar win, Daniel Junge, the documentary’s Colorado-based director, talked to me about the impact of the win as he held his golden statue. “Pakistan is a country too easily summed up by the international media in simple terms, it is by far the most complex place I have been to,” he said.

I asked him if this film would reinforce some of those narrow views. He said that he “felt people would come to the movie” with a “certain bias.” But, film viewers “owe it to the documentary film genre to come with open eyes and realize the film is about Pakistanis addressing their problems, not just a showcase of problems.”

This reinforced what Obaid-Chinoy said earlier, that as an “emancipated woman” who enjoyed “liberties,” she produced the documentary because it perturbed her that “many other women don’t have that freedom.”

There are 100 reported cases of female acid attacks in Pakistan annually, yet it is a universal problem with pockets prevailing in South Asia, South America and Africa. Dr. Jawad initiated cutting edge techniques of burn treatment in the reconstruction of Katie Piper — a British model who had sulphuric acid thrown on her face by a stalker in 2008.

I asked Dr. Jawad if female victimization is a social predicament spreading in developing countries — regardless of religion and culture. He said with characteristic British humor, “In Pakistan, this is a man-made disease — not a religious phenomenon. By addressing it and giving the idiotic perpetrators a swift kick in the rear, some hope can exist.” He went on to clarify that the core causes of acid throwing are poverty, illiteracy and ignorance.

Hope Does Exist

Consular General Masood also discussed the dual factors of oppression and optimism for women in South Asia, “People do not talk about such problems, but due to the growth of civil democracy, Pakistan is moving ahead. We are addressing social issues, moving towards solutions and establishing better laws thanks to the activism of people like Sharmeen.”

Pakistan’s government seems to agree, as Prime Minister Yousaf Raza Gilani announced on Tuesday that a civil award would be conferred on Obaid-Chinoy for the Oscar win.

Amidst the agony, hope does exist. Saving Face highlights the mêlée for women’s rights in Pakistan by activists, lawyers, journalists and politicians like Marvi Memon. The movement led Pakistan’s parliament to pass two bills — the Acid Control and Acid Crime Prevention Laws — in December of 2011. These bills enforce imprisonment and heavy fines on the perpetrators of these crimes. Obaid-Chinoy said that the passing of the bills is a testament that “the documentary is really a story about how educated women can help underprivileged women in Pakistan.”

Pakistani-American actor Iqbal Theba, who plays the principal in the FOX program Glee, told me at an Oscar celebration that he derives much “pleasure and pride that a fellow Pakistani” won the Oscar for “voicing an opinion which needs to be heard, not to mention, an opinion not many people are uncomfortable about.” He continued in his authoritative Glee principal’s voice, “If you are a nation with a conscience, you need to take a hard look at who you REALLY are.”

Consular General Masood admitted the topic of the film is “disturbing” for mainstream audiences but said, “don’t stigmatize us.” She said Pakistanis in the past few decades have “recognized the problem of female exploitation” and have been “diligently working towards reformation.” Acid throwing “stretches from Uganda to Cambodia,” Masood said, adding that she hopes Chinoy-Obaid’s Oscar win “will bring global awareness about acid throwing.”

At the Pomona College viewing of Saving Face, held one day after the film’s Oscar win, the auditorium was bursting at the seams. The audience reacted visibly and verbally to the documentary: They gasped at the horrific stories of Rukhsana and Zakia; laughed at Dr. Jawad’s flippant quips; snorted when the perpetrators were interviewed and cheered at the sentencing of one of the criminals, who received two consecutive life sentences for acid throwing.

At one point in the film, there was a palpable lump-in-the-throat silence when Dr. Jawad stopped an interview with a victim of acid throwing, took off his foggy glasses and wiped his eyes. It was therapeutic and promising.



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